This is a haunting evening's entertainment full of ethereal grace, says Matt Trueman.

• Telegraph
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Richard Olivier remembers growing up with his father, Sir Laurence Olivier.

• Telegraph
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The RSC's Titus Andronicus has just the right mixture of dark wit and in-your face violence, says Charles Spencer.

• Telegraph
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The only sin Scout Finch, the eight-year-old narrator of Harper Lee’s classic novel, has ever heard her lawyer father denounce was to kill a mockingbird; they do nothing but make music for us to enjoy.

• The Independent
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The Open Air Theatre's stage adaptation of Harper Lee's great novel brings tears to the eyes, says Charles Spencer

• Telegraph
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Florence Waters goes backstage at the RSC's new production of Titus Andronicus, Shakespeare's goriest play, to see how make-up artists create horror on stage.

• Telegraph
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Ayad Akhtar's Disgraced is an urgent, relevant play and worthy winner of 2013's Pulitzer Prize for drama, says Dominic Cavendish.

• Telegraph
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Lisa Dwan's 40th anniversary performance of Samuel Beckett's singular monologue impresses Jane Shilling.

• Telegraph
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Michael Longhurst's cumbersome new production of Alan Bennett's smash-hit is saved by the play's own sheer quality, says Matt Trueman.

• Telegraph
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When The History Boys was first performed at the National Theatre in 2004 the reverential cupping of a sixth former's genitals by an appreciative retirement-age teacher was enough to elicit ceaseless gales of laughter. Today it is more likely to form the basis of an investigation by detectives from the public protection division.

• The Independent
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